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Lear, Tolstoy and the Fool" is an essay by George Orwell. It was inspired by a critical essay on Shakespeare by Leo Tolstoy, and was first published in Polemic No. 7 (March 1947). [1] Orwell analyzes Tolstoy's criticism of Shakespeare's work in general and his attack on King Lear in particular. According to Orwell's detailed summary, Tolstoy ...
For Coleridge, Shakespeare depicted Hamlet's light of indecisiveness as resulting from an imbalance between the human attention to external objects, and inward thoughts, and thus suffered a paralysis of action because his faculty of vivid imagination overpowered his will and induced an aversion to actually enacting any measure [34] For ...
Iago is a major character in William Shakespeare's 1603 play Othello. His role is one of Othello 's outwardly loyal courtier and friend, who in fact hates him and schemes his downfall. He also manipulates his friends and master into doing his bidding, eventually persuading Othello to believe that his wife, Desdemona , has been having an affair ...
Within the Tent of Brutus: Enter the Ghost of Caesar, Julius Caesar, Act IV, Scene III, a 1905 portrait by Edwin Austin Abbey. The Tragedy of Julius Caesar (First Folio title: The Tragedie of Ivlivs Cæsar), often shortened to Julius Caesar, is a history play and tragedy by William Shakespeare first performed in 1599.
Author Molly Booth has written a young adult historical fiction novel, Saving Hamlet, about a teenage girl who time travels back to the original production of Hamlet at Shakespeare's Globe Theatre in London, 1601. The book has a focus on Ophelia's role, and how the sexism from Shakespeare's era translates to sexism in modern society for young ...
Moral injury is as old as war itself. Betrayal, grief, shame and rage are the themes that propel Greek epics like Homer’s Iliad, and all have afflicted warriors down through the centuries. But during the Iraq and Afghanistan wars, it proved especially hard to maintain a sense of moral balance.
Edmund is a fictional character and the main antagonist in William Shakespeare's King Lear. He is the illegitimate son of the Earl of Gloucester, and the younger brother of Edgar, the Earl's legitimate son. In the first act of the play, Edmund resolves to get rid of his brother, then his father, and become Earl in his own right.
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