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In Ancient Rome, declamation was a genre of ancient rhetoric and a mainstay of the Roman higher education system. It was separated into two component subgenres, the controversia, speeches of defense or prosecution in fictitious court cases, and the suasoria, in which the speaker advised a historical or legendary figure as to a course of action.
The consolatio or consolatory oration is a type of ceremonial oratory, typically used rhetorically to comfort mourners at funerals. It was one of the most popular classical rhetoric topics, [ 1 ] [ 2 ] and received new impetus under Renaissance humanism .
Landay: a form of Afghani folk poetry that is composed as a couplet of 22 syllables. Mukhammas; Pantoum: a Malaysian verse form adapted by French poets comprising a series of quatrains, with the 2nd and 4th lines of each quatrain repeated as the 1st and 3rd lines of the next. The 2nd and 4th lines of the final stanza repeat the 1st and 3rd ...
Oral poetry differs from oral literature in general because oral literature encompasses linguistic registers which are not considered poetry. In most oral literature, poetry is defined by the fact that it conforms to metrical rules ; examples of non-poetic oral literature in Western culture include some jokes , speeches and storytelling .
Spoken-word poetry is typically more than a hobby or expression of talent. This art form is often used to convey important or controversial messages to society. Such messages often include raising awareness of topics such as: racial inequality, sexual assault and/or rape culture, anti-bullying messages, body-positive campaigns, and LGBT topics ...
Classical Chinese poetry forms are poetry forms or modes which typify the traditional Chinese poems written in Literary Chinese or Classical Chinese.Classical Chinese poetry has various characteristic forms, some attested to as early as the publication of the Classic of Poetry, dating from a traditionally, and roughly, estimated time of around 10th–7th century BCE.
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Magoun thought that formulaic poetry was necessarily oral in origin. That sparked a major and ongoing debate over the extent to which Old English poetry, which survives only in written form, should be seen as, in some sense, oral poetry. The oral-formulaic theory of composition has now been applied to a wide variety of languages and works.