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A house of mirrors or hall of mirrors is a traditional attraction at funfairs (carnivals) and amusement parks. The basic concept behind a house of mirrors is to be a maze-like puzzle (made out of a myriad of mirrors). [1] In addition to the maze, participants are also given mirrors as obstacles, and glass panes to parts of the maze they cannot ...
Hall of Mirrors, a hall in Golestan Palace; House of mirrors or hall of mirrors, a room full of mirrors often found as an attraction at carnivals or amusement parks; Ossian's Hall of Mirrors, a shrine and view-house in Scotland. Bonnington Pavilion, the ruines hall of mirrors at Corra Linn, Lanark.
The Hall of Mirrors is flanked at the far ends by the Salon of War (Salon de la guerre) in the north and the Salon of Peace (Salon de la paix) in the south, respectively. The Hall of Mirrors connects to the two salons, which were assigned to and incorporated into the king's apartments in the north and the queen's apartments in the south.
A distorting mirror, funhouse mirror or carnival mirror is a popular attraction at carnivals and fairs. [1] Instead of a normal plane mirror that reflects a perfect mirror image, distorting mirrors are curved mirrors , often using convex and concave sections to achieve the distorted effect. [ 2 ]
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Hall of Mirrors (Palace of Versailles) → Hall of Mirrors – The Versailles "Hall of Mirrors" is the most notable use of the term, compared to the alternative uses listed on the target page, including "house of mirrors" (which states that they are based on the Versailles hall), a minor film ("Hall of Mirrors (2001 film))", a visual anomaly in ...
Mirrors were viewed as metaphors for sacred caves and as conduits for supernatural forces; they were associated with fiery hearths and pools of water because of their bright surfaces. Mirrors were also closely associated with the sun. [6] Mirrors were often used in pre-Columbian Mexico to reveal a person's destiny through divination. [7]
The mirrors, referred to as "girandoles" or "girandole mirrors", have projecting curved arms for holding candles and were designed to created a pleasantly distorted reflections of the rooms they were in. [31] These became popular in the Federal period (1790 to 1830) in the United States, where the mirrors were often topped with an eagle finial.