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José Tanig Joya [1] (June 3, 1931 – May 11, 1995) was a Filipino abstract artist and a National Artist of the Philippines awardee. [2] Joya was a printmaker, painter, mixed media artist, and former dean of the University of the Philippines' College of Fine Arts. He pioneered abstract expressionism in the Philippines.
In opposite of local cartoon, Philippine animation is a body of original cultural and artistic works and styles applied to conventional Philippine storytelling, combined with talent and the appropriate application of classic animation principles, methods, and techniques, which recognizes their relationship with culture and comics in the Philippines.
The Sarimanok is the legendary bird that has become a ubiquitous symbol of Maranao art. It is depicted as a fowl with colorful wings and feathered tail, holding a fish on its beak or talons. The head is profusely decorated with scroll, leaf, and spiral motifs. It is said to be a symbol of good fortune. [2] [3] [4]
Ang's 1979 mural "Men at Work" is declared in 2021 as an Important Cultural Property by the National Commission for Culture and the Arts. It is currently displayed in the National Museum of the Philippines. [8] This white and black semiabstract mural depicts muscular humans engaging in physical work, representing the strength of the labor force ...
Painting "Black and White" by NA Arturo Luz; Untitled Woven Curtain by Roberto Chabet; 2018 [40] Abbey of Our Lady of Monserrat, San Beda college San Miguel, Manila: 1925: Neo-gothic church of the San Beda college managed by the Benedictines: 2017 [42] The Facade of the National Shrine of Our Mother of Perpetual Help, Baclaran, Parañaque ...
Folk painting has always been part of Filipino culture. [133] [225] Petroglyphs and petrographs, the earliest known folk drawings and paintings, originated during the Neolithic. [226] Human figures, frogs, lizards, and other designs were depicted. They may have been primarily symbolic, associated with healing and sympathetic magic. [227]
Dwende: goblins, hobgoblins, elves or dwarfs (Spanish: duende " little creatures who provide good fortune or foretell an ominous fate to people. goblin, elf, charm" < "duen de (casa)", owner of the house); there are two types of Dwende the white and black, white Dwende represents as good motive and the black is bad motive [12]
Ibong Adarna is a 1941 Philippine fantasy adventure film written and directed by Vicente Salumbides under LVN Pictures with Manuel Conde as the technical supervisor. It is a film adaptation of the epic poem of the same name. The film was originally released in black and white and is the first Philippine film with a color sequence.