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Las 30 Cumbias Más Pegadas (English: The 30 Best Cumbias) is a compilation album featuring music from Los Angeles Azules, Los Askis, Rayito Colombiano, Grupo Latino, Grupo Maracuya, Los Llayras, Mr. Chivo, Aniceto Molina, Super Grupo G, La Tropa Vallenata, Los Vallenatos, Yahari, among others.
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As of 2025, 370 Latin songs have entered the Hot 100 chart, 1 in the 1950s, 1 in the 1960s, 2 in the 1970s, 1 in the 1980s, 5 in the 1990s, 36 in the 2000s, 80 in the 2010s and 244 in the 2020s. A total of 25 singles managed to reach the top 10 and 4 have peaked at number 1. Only 5 Latin songs reached the top 10 between 1958 and 2016.
(Top) 1 Ranchera, Mariachi. 2 Mexican Guaracha, Trival. 3 Mexican Cumbia. ... (also has made Cumbia songs) Bachata. Maite Perroni; Nueva canción, Nueva Trova/Protest ...
In Chile, cumbia was also introduced by recordings made in Colombia. Chilean cumbia was born when Luisín Landáez, a Venezuelan singer, achieved success with songs like "Macondo" or "La Piragua" and when the Colombian Amparito Jiménez recorded in Chile "La pollera colorá", among other songs. Cumbia is one of the most popular dance forms in ...
The Billboard Global 200 is a weekly record chart published by Billboard magazine that ranks the top songs globally based on digital sales and online streaming from over 200 territories worldwide. An asterisk (*) represents that a single is charting for the current week. [6]
The Billboard Regional Mexican Songs is a subchart of the Latin Airplay chart that ranks the best-performing songs on Regional Mexican radio stations in the United States. Published weekly by Billboard magazine, it ranks the "most popular regional Mexican songs, ranked by radio airplay audience impressions as measured by Nielsen Music". [1]
In its list of the ten most iconic Colombian songs, El Nuevo Siglo, rated La Pollera Colorá at No. 1. [ 4 ] In its list of the 50 best Colombian songs of all time, El Tiempo , Colombia's most widely circulated newspaper, ranked the version of the song recorded by Wilson Choperena with the Pedro Salceo orchestra at No. 5.