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Jan Johansson, a Swedish jazz pianist famous for his interpretation of Visa från Utanmyra "Visa från Utanmyra" (English: Song from Utanmyra) is a traditional Swedish folk song written as a melody to two separate texts. The first text, entitled O tysta ensamhet (translated: Oh Silent Solitude), was written by Olof von Dalin. [1]
Project Runeberg is a digital cultural archive initiative patterned after the English-language cultural initiative, Project Gutenberg; it was founded by Lars Aronsson and colleagues at Linköping University, especially within the university group Lysator (see below), with the aim of publishing free electronic versions of books significant to the culture and history of the Nordic countries.
The first literary text from Sweden is the Rök runestone, carved during the Viking Age circa 800 AD. With the conversion of the land to Christianity around 1100 AD, Sweden entered the Middle Ages, during which monastic writers preferred to use Latin. Therefore, there are only a few texts in the Old Swedish from that period.
Some pages with text in Swedish may have been misclassified into Category:Articles containing Northern Sami-language text. Pages in category "Articles containing Swedish-language text" The following 200 pages are in this category, out of approximately 10,628 total.
Several early Swedish works were written in Latin, but they are still considered part of Swedish literature history. [5] It was the Christian field that gave birth to most literature in the ensuing centuries. The monk Petrus de Dacia (ca 1230-1290) originated from a monastery on the island Gotland, south-east Sweden.
(Even the northernmost part of Sweden now speaks Swedish, and the Estonian dialects are almost extinct.) The linguistic definition of a Swedish traditional dialect, in the literature merely called 'dialect', is a local variant that has not been heavily influenced by Standard Swedish and that can trace a separate development back to Old Norse.
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The scholar of Swedish literature Lars Lönnroth writes that the long prose section of the "famous" [18] epistle 33 is the culmination of Bellman's skill with one particular dramatic technique, the ability to depict a whole crowd at once, among them his invented cast, Fredman's drinking-companions. That, he notes, immediately poses a question ...
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