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Kasa-obake (Japanese: 傘おばけ) [2] [3] are a mythical ghost or yōkai in Japanese folklore. They are sometimes, but not always, considered a tsukumogami that old umbrellas turn into. They are also called " karakasa-obake " ( から傘おばけ ) , [ 2 ] [ 4 ] " kasa-bake " ( 傘化け ) , [ 5 ] and " karakasa kozō " ( 唐傘小僧 ) .
Hilton, Elstner, (1915) Woman in Kimono and Monpe with Basket Monpe ( もんぺ /モンペ) [ 1 ] otherwise called moppe or mompei , and in Korean, ilbaji (see Baji ), [ 2 ] is an umbrella term used for the traditional style of loose agricultural work-trouser in Japan.
A woman whose jealousy turned her into an evil spirit, associated with a particular bridge in the city of Uji. Heikegani Crabs with human faces on their shells, said to be the spirits of the warriors killed in the Battle of Dan-no-ura. Hibagon The Japanese version of Bigfoot or the Yeti, sighted on Mount Hiba in Hiroshima Prefecture. Hiderigami
Woman with a Parasol – Madame Monet and Her Son, sometimes known as The Stroll (French: La Promenade) is an oil-on-canvas painting by Claude Monet from 1875. The Impressionist work depicts his wife Camille Monet and their son Jean Monet in the period from 1871 to 1877 while they were living in Argenteuil, capturing a moment on a stroll on a windy summer's day.
Kuchisake-onna (口裂け女, 'Slit-Mouthed Woman') [1] is a malevolent figure in Japanese urban legends and folklore. Described as the malicious spirit, or onryō, of a woman, she partially covers her face with a mask or other item and carries a pair of scissors, a knife, or some other sharp object. She is most often described as a tall woman ...
Umbrella; Woman with a Parasol – Madame Monet and Her Son; User:Ashleyynm/sandbox; User:DMT Biscuit; User:Hafspajen/ Preliminary Signpost to work on, in the main while; User:Jane023/Paintings in the National Gallery of Art; User:Theramin/stuff; User talk:Anna Frodesiak/archive27; User talk:Pine/Archive 9; Wikipedia:Featured picture candidates ...
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This is a misconception: Japanese women traditionally grew their hair long and wore it pinned up, and it was let down for the funeral and burial. Hands and feet : The hands of a yūrei are said to dangle lifelessly from the wrists, which are held outstretched with the elbows near the body.
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