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The rod, perch, or pole (sometimes also lug) is a surveyor's tool [1] and unit of length of various historical definitions. In British imperial and US customary units, it is defined as 16 + 1 ⁄ 2 feet, equal to exactly 1 ⁄ 320 of a mile, or 5 + 1 ⁄ 2 yards (a quarter of a surveyor's chain), and is exactly 5.0292 meters.
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The fundamental concept of musical set theory is the (musical) set, which is an unordered collection of pitch classes. [4] More exactly, a pitch-class set is a numerical representation consisting of distinct integers (i.e., without duplicates). [5]
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December 30 – Pearl Hamilton (later with the Three X Sisters), plays piano with small jazz ensemble to appreciative audience at the Star Theater in New York City. Mamie Smith's first blues recordings become a hit, alerting record companies to the African American market. Hamilton Harty is appointed resident conductor of the Hallé Orchestra.
In music theory, a trichord (/ t r aɪ k ɔːr d /) is a group of three different pitch classes found within a larger group. [2] A trichord is a contiguous three-note set from a musical scale [3] or a twelve-tone row. In musical set theory there are twelve trichords given inversional equivalency, and, without inversional equivalency, nineteen ...
In music theory, Roman numeral analysis is a type of harmonic analysis in which chords are represented by Roman numerals, which encode the chord's degree and harmonic function within a given musical key. Specific notation conventions vary: some theorists use uppercase numerals (e.g.