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The rod, perch, or pole (sometimes also lug) is a surveyor's tool [1] and unit of length of various historical definitions. In British imperial and US customary units, it is defined as 16 + 1 ⁄ 2 feet, equal to exactly 1 ⁄ 320 of a mile, or 5 + 1 ⁄ 2 yards (a quarter of a surveyor's chain), and is exactly 5.0292 meters.
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
The metric rod has major numbered graduations in meters and tenths of meters (e.g. 18 is 1.8 m - there is a tiny decimal point between the numbers). Between the major marks are either a pattern of squares and spaces in different colours or an E shape (or its mirror image) with horizontal components and spaces between of equal size.
Rod-shaped bacterium, a shape of bacteria such as E. coli; Rod (optical phenomenon), a photographic artifact claimed by some to be alien life; Rod (unit), an Imperial unit of length, also known as the pole or perch; Rod cell, a cell found in the retina that is sensitive to light/dark (black/white) Real-time outbreak and disease surveillance (RODS)
Period built of two five-bar phrases in Haydn's Feldpartita in B ♭, Hob. II:12. [1] Diagram of a period consisting of two phrases [2] [3] [4]. In music theory, a phrase (Greek: φράση) is a unit of musical meter that has a complete musical sense of its own, [5] built from figures, motifs, and cells, and combining to form melodies, periods and larger sections.
In music theory, a trichord (/ t r aɪ k ɔːr d /) is a group of three different pitch classes found within a larger group. [2] A trichord is a contiguous three-note set from a musical scale [3] or a twelve-tone row. In musical set theory there are twelve trichords given inversional equivalency, and, without inversional equivalency, nineteen ...
Tymoczko sought to discuss "music that is neither classically tonal nor completely atonal" (see chromaticism and nonchord tones). [7] He observed that a macroharmony of between five and eight pitch classes, or a limited macroharmony, typically contributed to a sense of tonality . [ 8 ]
What is most commonly taught in beginning music theory classes are guidelines to write in the style of the common practice period, or tonal music. Theory, even of music of the common practice period, may take other forms. [155] Musical set theory is the application of mathematical set theory to music, first applied to atonal music.
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