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Hills, Patricia, "John Sloan's Images of Working-Class Women: A Case Study of the Roles and Interrelationships of Politics, Personality, and Patrons in the Development of Sloan's Art, 1905–16", Prospects 5 (1980): 157–96. Cambridge University Press. Loughery, John. John Sloan: Painter and Rebel . New York: Henry Holt, 1995. ISBN 0-8050-5221-6
John Sloan's drawings of the working class and immigrants, for example, advocated for labor rights; Alice Beach Winter's work was known to emphasized motherhood and the plight of working children; and Maurice Becker's city life scenes satirized the extravagant lifestyle of the upper class.
John Sloan was a leading member of the Ashcan School. The Ashcan School, also called the Ash Can School, was an artistic movement in the United States during the late 19th-early 20th century [1] that produced works portraying scenes of daily life in New York, often in the city's poorer neighborhoods. The artists working in this style included ...
Michael Lobel is an art historian and critic. He is a professor at Hunter College and The Graduate Center, CUNY. [1] [2] Lobel has taught at Bard College and SUNY Purchase.He was awarded the 28th Annual Eldredge Prize by the Smithsonian American Art Museum for his book John Sloan: Drawing on Illustration in 2016. [3]
Red Kimono on the Roof is an oil painting by American artist John Sloan, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana, USA.Painted in 1912, its down-to-earth subject matter and execution make it an excellent example of the work of the Ashcan School, which was active in New York City in the early years of the twentieth century.
George Bellows, Dempsey and Firpo (1924), Whitney Museum of American Art George Bellows, New York (1911) Ashcan school artists and friends at John French Sloan's Philadelphia Studio, 1898. American realism was a movement in art, music and literature that depicted contemporary social realities and the lives and everyday activities of ordinary ...
Everett Shinn (November 6, 1876 – May 1, 1953) was an American painter and member of the urban realist Ashcan School.. Shinn started as a newspaper illustrator in Philadelphia, demonstrating a rare facility for depicting animated movement, a skill that would, however, soon be eclipsed by photography.
While he attended the Art Students League of New York, he changed his name after his instructors George Luks and John French Sloan suggested young students paint under an assumed name so that their early inferior works would not be attached to them. He chose the first name "Eric," as a nod to "America" and the last name "Sloane" in honor of his ...
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