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English delftware pottery and its painted decoration is similar in many respects to that from Holland, but its peculiarly English quality has been commented upon: "... there is a relaxed tone and a sprightliness which is preserved throughout the history of English delftware; the overriding mood is provincial and naïve rather than urbane and sophisticated."
Two types of decorated jugs: earlier yellow-splashed plain glaze and a later more green glaze Somerset [7] Humber ware: Late 13th to early 16th centuries AD Hard-fired, iron-rich usually red-bodied wares North Yorkshire [8] Ipswich ware: Early 8th to 9th centuries AD Hard, sandy grey ware made in both a smooth and gritty fabric Ipswich, Suffolk [9]
Daher (also stylized as DAHER) is a French industrial conglomerate. It is operational across the aerospace, defence, nuclear, and automotive industrial sectors in the fields of manufacturing, services, and transport. It was founded in 1863 as a shipping company based in Marseille, France. Within its first decade of operation, it was taken over ...
Pottery decorated using this technique is known as transferware or transfer ware. It was developed in England from the 1750s on, and in the 19th century became enormously popular in England, though relatively little used in other major pottery-producing countries. The bulk of production was from the dominant Staffordshire pottery industry ...
Price on eBay: $400 MacBeth-Evans Petalware had a graceful, flower-like design that came in a variety of colors. Produced between 1930 and 1940, this Depression glass pattern features delicate ...
The commonest form was mottoware - pottery such as plates or jugs decorated with inspirational or humorous text, [4] often written in a Devon dialect, [2] and thus known as Devon mottoware. [5] Some items were produced in Cornish dialect, for "export" to, and sale in, Cornwall. [5] Novelty items with no functional use were also produced, but ...
The NFL playoff schedule is about to be set, with the wild-card dates and times for every matchup to be revealed during Week 18.
Art ware was always produced alongside the output of more mundane items and never constituted a major proportion of the pottery's output. In 1897, the production of decorated stoneware vases, pots and other items began again, although the output was not as fine as during the Calvert & Lovatt period as the emphasis was now on ease of production.
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