Search results
Results from the WOW.Com Content Network
The seal of Mani, the oldest known Manichaean art. Manichaeism has a rich tradition of visual art, starting with Mani himself writing the Book of Pictures. [1]One of Mani's primary beliefs was that the arts (namely painting, calligraphy, and music) were of the same esteem as the divine spirit (Middle Persian: Mihryazd), believing that the creation of art was comparable to god's creation of ...
Fragment of Manichaean Wall Painting "MIK Ⅲ 6918" is a fragment of a Manichaean mural collected in Germany Berlin Asian Art Museum, painted around the 10th century AD, and was found by the German Turpan expedition team in the ruins of Gaochang, in Xinjiang. The fragment is 88 centimeters long and 168.5 centimeters wide.
The Birth of Mani is a Manichean silk cloth color painting painted in the Fujian Zhejiang area during the Yuan period, depicting the founder of the sect Mani The scene of birth, a scholar who specializes in Manichaeism Ma Xiaohe called it "a rare treasure". [1]
Chinese Manichaean art (9 P) E. Manichaean art of East Central Asia (10 P) Pages in category "Manichaean art" The following 3 pages are in this category, out of 3 total.
Pages in category "Manichaean art of East Central Asia" The following 10 pages are in this category, out of 10 total. This list may not reflect recent changes. L.
Analysis by Zsuzsanna Gulácsi. Like the other two Manichaean works "Sermon on Mani's Teaching of Salvation" and "Mani's Community Established", this picture also depicts several scenes, but it is different from the former and the latter in terms of levels With the collage technique, the distinction and boundary between the various scenes in this painting is not obvious, and the picture is ...
Fujita Art Museum, Osaka City Icon of Mani ( Japanese : マニ像 ; [ 1 ] Icon of Mani) is a silk painting hanging scroll from the Yuan or Ming period, from the coastal area of southern China, depicting Mani.
Mani's Community Established (Japanese: 圣者伝図2) is a Manichaen silk color painting drawn in the coastal area of southern China during the yuan to ming period, [1] depicts the missionary history of Manichaeism and the establishment of its churches in three scenes.