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Double Super 8 film (commonly abbreviated as DS8 or DS 8) is a 16 mm wide film but has Super 8 size sprockets. Double Super 8 for amateurs. In amateur DS8 cameras, the film is used in the same way as standard 8 mm film in that the film is run through the camera twice, exposing one side on each pass. During processing, the film is split down the ...
Super 8 mm, 8 mm and Standard (double) 8 mm formats Standard and Super 8 mm film comparison In 1965, Super-8 film was released and was quickly adopted by many amateur film-makers. It featured a better quality image and was easier to use mainly due to a cartridge-loading system that did not require reloading and rethreading halfway through.
Their dimensions are 0.0730" (1.85 mm) in width by 0.0780" (1.98 mm) in height. [10] Due to the size difference, CS perfed film cannot be run through a projector with standard KS sprocket teeth, but KS prints can be run on sprockets with CS teeth. CS-perforated stock has fallen out of use since the 1970s when 35 mm prints with magnetic sound ...
Gate dimensions are the width and height of the camera gate aperture, and by extension the film negative frame. Negative pulldown describes the film perforations per frame, the direction of film transport, and standard frame speed. Film transport is assumed to be vertical unless otherwise noted, and standard frame speed is assumed to be 24 ...
Standard 8 mm film, also known as Regular 8 mm, Double 8 mm, Double Regular 8 mm film, or simply as Standard 8 or Regular 8, is an 8 mm film format originally developed by the Eastman Kodak company and released onto the market in 1932. Super 8 (left) and Regular 8 mm (right) film formats. Magnetic sound stripes are shown in gray.
A cartridge of Kodak 35 mm (135) film for cameras. A film format is a technical definition of a set of standard characteristics regarding image capture on photographic film for still images or film stock for filmmaking. It can also apply to projected film, either slides or movies. The primary characteristic of a film format is its size and shape.
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The variant called Super 16 mm, Super 16, or 16 mm Type W is an adaptation of the 1.66 (1.66:1 or 15:9) aspect ratio of the "Paramount format" [8] to 16 mm film. It was developed by Swedish cinematographer Rune Ericson in 1969, [ 9 ] using single-sprocket film and taking advantage of the extra room for an expanded picture area of 12.52 mm × 7. ...
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