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The term solid-state became popular at the beginning of the semiconductor era in the 1960s to distinguish this new technology. A semiconductor device works by controlling an electric current consisting of electrons or holes moving within a solid crystalline piece of semiconducting material such as silicon, while the thermionic vacuum tubes it replaced worked by controlling a current of ...
The active device can be a vacuum tube, discrete solid state component, such as a single transistor, or part of an integrated circuit, as in an op-amp. Transistor amplifiers (or solid state amplifiers) are the most common type of amplifier in use today. A transistor is used as the active element.
A hybrid amplifier involves one of two combinations of tube and solid-state amplification. It may have a tube power amp fed by a solid-state pre-amp circuit, as in most of the original MusicMan amplifiers. Alternatively, a tube preamplifier can feed a solid-state output stage, as in models from Kustom, Hartke, SWR, and Vox. This approach ...
The range included one small tube-driven bass amp, the Bassman 20. There were also some solid-state amplifiers using the II moniker, such as the Harvard Reverb II. Other solid-state amps produced during the Rivera era included the Yale Reverb, Studio Lead, Stage Lead, London Reverb, Montreux, and a solid-state issue of the Showman.
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One particularly successful entry-level solid-state Marshall was the Lead 12/Reverb 12 combo series, which featured a preamplifier section very similar to a JCM800, and a particularly sweet-sounding output section. These amps were actually used on record by Billy Gibbons of ZZ Top, and are now in some demand.
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