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O God, we thank you for this earth, our home; for the wide sky and the blessed sun, for the salt sea and the running water, for the everlasting hills and the never-resting winds, for trees and the ...
1. "Let Your goodness, Lord, appear to us, that we, made in your image, conform ourselves to it. In our own strength we cannot imitate Your majesty, power, and wonder
"Footprints," also known as "Footprints in the Sand," is a popular modern allegorical Christian poem. It describes a person who sees two pairs of footprints in the sand, one of which belonged to God and another to themselves. At some points the two pairs of footprints dwindle to one; it is explained that this is where God carried the protagonist.
Related: 40 Scriptures on Peace 10. "Good bread, good meat, good God, let's eat." — Anonymous 11. "In a world where so many are hungry, may we eat this food with humble hearts; in a world where ...
The Shanti Mantras, or Pancha Shanti mantras, are Hindu prayers for peace found in the Upanishads. Generally, they are recited at the beginning and end of religious rituals and discourses. Shanti Mantras are invoked in the beginning of some topics of the Upanishads. They are believed to calm the mind and the environment of the reciter.
El Nora Alila (Hebrew: אֵל נוֹרָא עֲלִילָה), also transliterated as Ayl Nora Alilah, [1] is a piyyut (liturgical poem) that begins the Ne'ilah service at the conclusion of Yom Kippur. The piyyut is recited as part of the Sephardic and Mizrahi liturgy, [2] and has been adopted by some Ashkenazic communities. [3]
Wherefore God also hath highly exalted him, and given him a name which is above every name: That at the name of Jesus every knee should bow, of things in heaven, and things in earth, and things under the earth; And that every tongue should confess that Jesus Christ is Lord, to the glory of God the Father.
The poem is in two sections: the first is a praise of creation in nine lines of alliterative verse. This is followed by a prayer in prose: Grimm (1812) and Massmann (1824) made attempts at the reconstruction of alliterating verses in the second part, but following Wilhelm Wackernagel (1827:9), the second part is now mostly thought to be intended as prose with occasional alliteration.
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