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It contains more than 10,000 works in text format and another 4,000 in other formats (music, video, images etc.), the majority in Portuguese. literary works are in PDF format, and include contributions from different Brazilian universities (and their respective virtual libraries), international organisms as UNESCO, and the work of volunteers ...
The book claims to be the most complete Portuguese dictionary to date, with around 228,500 entries, 376,500 senses, 415,500 synonyms, 26,400 antonyms, and 57,000 historical words. It aims to cover all variants of the language, including African, Brazilian, and European Portuguese.
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The second part is the Tupi–Portuguese dictionary itself, containing nearly eight thousand entry words (or lexemes), making it the most complete Tupi dictionary ever compiled to date. The third part includes a list of two thousand words from Brazilian Portuguese that have their origins in Tupi (mostly place and city names).
The Book of Disquiet (Livro do Desassossego: Composto por Bernardo Soares, ajudante de guarda-livros na cidade de Lisboa) is a work by the Portuguese author Fernando Pessoa (1888–1935). Published posthumously, The Book of Disquiet is a fragmentary lifetime project, left unedited by the author, who introduced it as a "factless autobiography."
The books he wrote in Paris are critical of Portuguese society. His most famous works include Os Maias (The Maias) (1878), O Crime do Padre Amaro (The Crime of Father Amaro) (1876) and O Primo Bazilio (Cousin Basílio) (1878). Nicknamed the "Portuguese Zola," Eça was the founder of Portuguese Naturalism.
The Portuguese arms are arranged in descending order of importance, starting with the lineages of the old or immemorial nobility, some dating back to the time of the County of Portugal. The book presents one coat of arms per page in the sections that present the legendary, foreign, or main nobility arms of the kingdom.
Cover of the book. The Art of the Japanese Language (Portuguese: Arte da Lingoa de Iapam and in modern Portuguese: Arte da Língua do Japão; Japanese: 日本 大 文 典, Nihon Daibunten) is an early 17th-century Portuguese grammar of the Japanese language. It was compiled by João Rodrigues, a Portuguese Jesuit missionary.
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