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Shōen was known primarily for her bijin-ga, or paintings of beautiful women, in the nihonga style, although she produced numerous works on historical themes and traditional subjects. Shōen is considered a major innovator in the bijin-ga genre despite the fact she often still used it to depict the traditional beauty standards of women.
One of the earliest references to qualities later associated with the canonical Four Great Beauties appears in the Zhuangzi.In one chapter, the women Mao Qiang and Lady Li are described as "great beauties" who "when fish see them they dart into the depths, when birds see them they soar into the skies, when deer see them they bolt away without looking back".
King Goujian of Yue was once imprisoned by King Fuchai of Wu following a military defeat. As a result, the state of Yue became a tributary state to the State of Wu.In a clandestine effort to plot his revenge, King Goujian's minister Wen Zhong suggested training exceptionally beautiful women and offering them to King Fuchai as a tribute, well aware of Fuchai's weakness for beautiful women.
Gallery of Beauties The Nymphenburg Palace seen from its park. The Gallery of Beauties (German: Schönheitengalerie) is a collection of 38 portraits of the most beautiful women from the nobility and bourgeoisie of Munich, Germany, gathered by Ludwig I of Bavaria in the south pavilion of his Nymphenburg Palace. [1]
Women may not always get the historical credit their male counterparts do, but as these women show, they were always there doing the work. With their fierce determination and refusal to back down, all of these 12 women were not just ahead of their own times, but responsible for shaping ours.
In fact, in ukiyo-e bijin-ga, it was not considered important that the picture resemble the facial features of the model, and the depiction of women in ukiyo-e bijin-ga is stylized rather than an attempt to create a realistic image; [4] For example, throughout the Edo period (1603–1867), married women had a custom of shaving their eyebrows ...
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