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The expression is pre-dated by an anecdote in the 1875 Our Bishops and Deans by the Reverend F. Arnold, referenced in an issue of The Academy: A Weekly Review of Literature, Science, and Art: "Without pledging our credence, we could afford a grin to the story of the 'young Levite' who at a bishop's breakfast-table, was so 'umble as to decline the replacement of a bad egg by a good one with a ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
The modern English word evil (Old English yfel) and its cognates such as the German Übel and Dutch euvel are widely considered to come from a Proto-Germanic reconstructed form of *ubilaz, comparable to the Hittite huwapp-ultimately from the Proto-Indo-European form *wap-and suffixed zero-grade form *up-elo-.
The antagonist is commonly positioned against the protagonist and their world order. [4] While narratives often portray the protagonist as a hero and the antagonist as a villain, like Harry Potter and Lord Voldemort in Harry Potter, the antagonist does not always appear as the villain.
It includes discussion of the work’s content along with critic's insights gained from research. This may have a positive or a negative bias and may be a study of an individual piece of literature or an author’s body of work. [7] Literary criticism is not limited to plot summaries, biographies of authors, or finding faults with the literature.
The Houyhnhnms embody both the good and the bad side of reason, for they have the pure language Swift wished for and the amorally rational approach to solving the problems of humanity (Yahoos); the extirpation of the Yahoo population by the horses is very like the speaker of A Modest Proposal.
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Opposition is a semantic relation in which one word has a sense or meaning that negates or, in terms of a scale, is distant from a related word.Some words lack a lexical opposite due to an accidental gap in the language's lexicon.