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Henri Rousseau, The Centenary of Independence, 1892, Getty Center, Los Angeles Paul Cézanne, Les Joueurs de cartes, Metropolitan Museum of Art, New York. Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism.
Albright-Knox Art Gallery, Buffalo, New York. Cloisonnism is a style of post-Impressionist painting with bold and flat forms separated by dark contours. The term was coined by critic Édouard Dujardin on the occasion of the Salon des Indépendants, in March 1888. [1]
Paintings of the Post-Impressionist style. Subcategories. This category has the following 7 subcategories, out of 7 total. ... Cypresses (Metropolitan Museum of Art ...
Synthetism is a term used by Post-Impressionist artists like Paul Gauguin, Émile Bernard and Louis Anquetin to distinguish their work stylistically from Impressionism. Earlier, Synthetism has been connected to the term Cloisonnism , and later to Symbolism . [ 1 ]
Nineteenth-century movements of Post-Impressionism , Art Nouveau and Symbolism led to the first twentieth-century art movements of Fauvism in France and Die Brücke ("The Bridge") in Germany. Fauvism in Paris introduced heightened non-representational colour into figurative painting.
Works in Oil and Pastel by the Impressionists of Paris, American Art Association, New York, April and May 1886. Organised by Paul Durand-Ruel. Impressionist exhibition, Paris, 15 May–15 June 1886 Un dimanche après-midi à l'Île de la Grande Jatte shown for the first time. Salon des Indépendants, Paris, 21 August–21 September 1886
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Nabis (art) (20 P) P. Post-impressionist paintings (7 C, 48 P) Pointillism (1 C, 31 P) V. Vincent van Gogh (6 C, 28 P) Pages in category "Post-Impressionism"
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