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The koto (箏 or 琴) is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese zheng and se, and similar to the Mongolian yatga, the Korean gayageum and ajaeng, the Vietnamese đàn tranh, the Sundanese kacapi and the Kazakh jetigen. [1]
This list contains musical instruments of symbolic or cultural importance within a nation, state, ethnicity, tribe or other group of people.. In some cases, national instruments remain in wide use within the nation (such as the Puerto Rican cuatro), but in others, their importance is primarily symbolic (such as the Welsh triple harp).
The 17-string koto (Japanese: 十七絃 or 十七弦, Hepburn: jūshichi-gen, "seventeen strings") is a variant of the koto with 17 strings instead of the typical 13. The instrument is also known as jūshichi-gensō ( 十七絃箏 ) , "17 stringed koto ", or "bass koto " (although koto with a greater number of strings also exist).
The 80-string koto, known as the hachijugen (八十絃/はちじゅうげん) in Japanese, was an invention of Japanese composer Michio Miyagi created in 1923. Miyagi added 67 strings to the traditional 13-string koto design, creating an instrument much like a western harp. Together, the 80 strings provide a far larger pitch range than the ...
Shamisen – a banjo-like lute with three strings; brought to Japan from China in the 16th century. Popular in Edo's pleasure districts, the shamisen is often used in kabuki theater. Made from red sandalwood and ranging from 1.1 to 1.4 metres (3 ft 7 in to 4 ft 7 in) long, the shamisen has ivory pegs, strings made from twisted silk, and a belly ...
Pages in category "Japanese musical instruments" The following 61 pages are in this category, out of 61 total. ... Koto (instrument) L. List of heaviest bells; M ...
Michio Miyagi (宮城 道雄, Miyagi Michio, April 7, 1894 – June 25, 1956) was a Japanese musician, famous for his koto playing.. He was born in Kobe.He lost his sight in 1902, when he was 8 years old, and started his study in koto under the guidance of Nakajima Kengyo II, dedicating the rest of his life to the instrument.
Because the melody spans a modest range, it is ideally suited to instruments that have a limited pitch range, such as the Native American flute (similar to the shakuhachi). [3] The melody arranged by Ongaku Torishirabe-gakari was included in Collection of Japanese Koto Music issued in 1888, for beginning koto students in the Tokyo Academy of ...
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