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Canntaireachd (Scottish Gaelic for 'chanting'; pronounced [ˈkʰãũn̪ˠt̪ɛɾʲəxk]) is the ancient method of teaching, learning and memorizing Piobaireachd (also spelt Pibroch), a type of music primarily played on the Great Highland bagpipe.
Binioù-bras means Great (Highland) Bagpipe in the Breton language. See Pib-Veur. Binioù-ilin Binioù-ilin means Uilleann Pipes in the Breton language. Binioù-kozh Binioù-kozh is the traditional Breton Bagpipe. Birl Onomatopoeic name for a Highland bagpipe embellishment on low A, consisting of two very fast taps or strikes to low G. Blade
A bagpipe practice chanter is a double-reed woodwind instrument, principally used as an adjunct to the Great Highland bagpipe. As its name implies, the practice chanter serves as a practice instrument: firstly for learning to finger the different melody notes of bagpipe music, and (after a player masters the bagpipes) to practice new music.
According to William Lamb on the Bagpipe News website, the first mention of the word "Strathspey" in connection with a specific type of dance is the anonymous Menzies manuscript dated to 1749. [6] A Scottish country dance will typically consist of equal numbers of strathspeys, jigs and reels. The strathspey step is a slower and more stately ...
Roddy MacLellan (born 1955 or 1956) is a Scottish American bagpipe maker, currently based out of his store MacLellan Bagpipes in Zebulon, North Carolina.His business is the only one in North America to make, sell, and teach how to play bagpipes, and one of the few stores offering custom bagpipe making in the world.
The earliest references to bagpipes in Scotland are in a military context, and it is in that context that the great Highland bagpipe became established in the British military and achieved the widespread prominence it enjoys today, whereas other bagpipe traditions throughout Europe, ranging from Portugal to Russia, almost universally went into ...
Music played an important role during the procession carrying the Queen’s coffin from Buckingham Palace to Westminster Hall where she will lie in state.
The chanter pipes may be designed to be played separately, one with each hand, or the two chanters may be played in unison (as in most Arabic bagpipes). One chanter may provide a drone accompaniment to the other, or the two chanters may play in a harmony of thirds and sixths (as in the northern Italian Müsa and central-southern Italian zampogna).