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The use of found objects in modern classical music is often connected to experiments in indeterminacy and aleatoric music by such composers as John Cage and Karlheinz Stockhausen. However, it has reached its ascendancy in those areas of popular music as well, such as the ambient works of Brian Eno. In Eno's influential work, found objects are ...
The term "through-composed" is also applied to opera and musical theater to indicate a work that consists of an uninterrupted stream of music from beginning to end, as in the operas of Wagner. This stands in contrast to the practice, as for example occurs in Mozart's Italian - and German-language operas, of having a collection of songs ...
In music, especially folk and popular music, a matrix is an element of variations which does not change. [1] The term was derived from use in musical writings and from Arthur Koestler's The Act of Creation, who defines creativity as the bisociation of two sets of ideas or matrices. [2]
When one of the sections in the exposition of a sonata-form movement consists of several themes or other material, defined by function and (usually) their tonality, rather than by melodic characteristics alone, the term theme group (or subject group) is sometimes used. [9] [1] Music without subjects/themes, or without recognizable, repeating ...
Music information retrieval (MIR) is the interdisciplinary science of retrieving information from music. Those involved in MIR may have a background in academic musicology , psychoacoustics , psychology , signal processing , informatics , machine learning , optical music recognition , computational intelligence , or some combination of these.
Diagram of a typical period consisting of two phrases [5] [6] [7]. In Western art music or Classical music, a period is a group of phrases consisting usually of at least one antecedent phrase and one consequent phrase totaling about 8 bars in length (though this varies depending on meter and tempo).
The earliest significant use of music indeterminacy features is found in many of the compositions of American composer Charles Ives in the early 20th century. Henry Cowell adopted Ives's ideas during the 1930s, in such works as the Mosaic Quartet (String Quartet No. 3, 1934), which allows the players to arrange the fragments of music in a number of different possible sequences.
Today, free time music is still a popular style of music, used by composers and performers to create a sense of freedom and spontaneity in their work. [2] Modern contemporary pianist and film composer Dustin O'Halloran, such as Opus 26 and Opus 37 from his Piano Solos Vol. 1 & 2 reflect this sense of freedom.