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Avant-garde jazz (also known as avant-jazz, experimental jazz, or "new thing") [1] [2] is a style of music and improvisation that combines avant-garde art music and composition with jazz. [3] It originated in the early 1950s and developed through to the late 1960s. [ 4 ]
Free jazz, or free form in the early to mid-1970s, [1] is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes.
Flamenco jazz: Flamenco jazz is a style mixing flamenco and jazz, typified by artists such as Paco de Lucia and Camarón de la Isla. 1960s -> Free funk: A combination of avant-garde jazz with funk music 1970s -> Free jazz: Free improvisation is improvised music without any specific rules. By itself, free improvisation can be any genre, it isn't ...
The introduction of this new, avant-garde style influenced many European jazz musicians like the German saxophonist Peter Brötzmann, who is known as one of the first European free jazz musicians. The founders of European free jazz usually came from a classic jazz background and then went over bebop and hard bop into free jazz .
[4] His widely eclectic and avant-garde music echoed the entire history of jazz, from ragtime and early New Orleans hot jazz, to swing music, bebop, free jazz and fusion. His compositions ranged from keyboard solos to works for big bands of over 30 musicians, along with electronic excursions, songs, chants, percussion pieces, and anthems.
According to Steven Block, free jazz originated with Taylor's performances at the Five Spot Cafe in 1957 and with Ornette Coleman in 1959. [48] In 1964, Taylor co-founded the Jazz Composers Guild to enhance opportunities for avant-garde jazz musicians. [49] Taylor's style and methods have been described as "constructivist". [50]
The 1960s saw a wave of avant-garde experimentation in jazz, represented by artists such as Ornette Coleman, Sun Ra, Albert Ayler, Archie Shepp, John Coltrane and Miles Davis. [11] [12] In the rock music of the 1970s, the "art" descriptor was generally understood to mean "aggressively avant-garde" or "pretentiously progressive". [13]
Free jazz, and the related form of avant-garde jazz, broke through into an open space of "free tonality" in which meter, beat, and formal symmetry all disappeared, and a range of world music from India, Africa, and Arabia were melded into an intense, even religiously ecstatic or orgiastic style of playing. [164]