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Aboriginal rock painting of Mimi spirits in the Anbangbang gallery at Nourlangie Rock. Mimis (or Mimih spirits [1]) are fairy-like beings of Arnhem Land in the folklore of the Aboriginal Australians of northern Australia. They are described as having extremely thin and elongated bodies, so thin as to be in danger of breaking in case of a high wind.
Many Kuninjku people started to carve comparable models in the late 1980s, but Owen Yalandja and Crusoe Kurddal are the most prominent pioneers in these sculptural depictions. [10] Kurddal's 1985 sculpture entitled Mimih Spirit serves as an example of one of Kurddal's Mimih sculptures that continues in the vein of Kuningbul's artwork.
Crusoe Kuningbal primarily focused his artwork on portraying the mimih. [2] Mimih spirits are tall, thin, fragile spirit beings that inhabit Arnhem Land, specifically rocky areas and act in mischievous ways. [2] In the beginning of his career as a sculptor of mimih spirits in the 1980s, they sold from $12-$50. [3]
Other clevermen communicate with spirits such as the mimih, who long ago taught the marrkidjbu of the Bininj Kunwok people the ritualistic steps of carving up a kangaroo. [ 7 ] Some ceremonies, including those of the Wiradjuri people , involve communication with spiritual beings, the granting of supernatural abilities, and absorbing magical ...
Owen Yalandja (born 1961) is Aboriginal Australian carver, painter and singer of the Kuninjku people from western Arnhem Land, Australia.A senior member of the Dangkorlo clan, who are the Indigenous custodians of an important site related to female water spirits known as yawkyawk, Yalandja has become internationally renowned for his painted carvings of these spirits, as well as his paintings ...
Through his designs, Marralwanga represented the power of the original ancestral spirits, the Djang. [7] In fact, the designs that these Djang wore on their bodies were first translated to body paintings of indigenous people during ceremony, and then served as the inspiration for bark painters such as Peter Marralwanga. [ 7 ]
They are known for hiding things, getting people lost, and sometimes throwing stones at people. [3] The curupira is a male supernatural being which guards the forest in Tupi mythology. Granny Squannit - a Little People chieftainess of Wampanoag lore who is consulted as a patron saint, of sorts. Jogah are small spirit-folk from Iroquois mythology.
Through his art, Nadjamerrek strived to encourage people to develop a deeper understanding of and cultivate respect for Aboriginal cultures. [ 9 ] He created his first rock art painting around the age of 13, at a place called Kundjorlomdjorlom, under the close observance of his father, Nanjorluk, an accomplished rock-art artist.