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Ethnomusicology (from Greek ἔθνος ethnos ‘nation’ and μουσική mousike ‘music’) is the multidisciplinary study of music in its cultural context, investigating social, cognitive, biological, comparative, and other dimensions involved other than sound.
Comparative musicology is known as the cross-cultural study of music. [9] Once referred to as "Musikologie", comparative musicology emerged in the late 19th century in response to the works of Komitas Keworkian (also known as Komitas Vardapet or Soghomon Soghomonian.) [10] A precedent to modern ethnomusicological studies, comparative musicology seeks to look at music throughout world cultures ...
William Malm (March 6, 1928 - September 16, 2024) was an American musicologist known for his studies of Japanese traditional music. As a composer, teacher, and scholar of Japanese music, Malm shaped the study of ethnomusicology in the United States.
Titon is known for developing collaborative ethnographic research based on reciprocity and friendship, [5] for helping to establish an applied ethnomusicology based in social responsibility, [6] for proposing that music cultures can be understood as ecosystems, [7] for introducing the concepts of musical and cultural sustainability, [8] and for ...
Alan Parkhurst Merriam (1 November 1923 – 14 March 1980) was an American ethnomusicologist known for his studies of music in Native America and Africa. [1] In his book The Anthropology of Music (1964), he outlined and develops a theory and method for studying music from an anthropological perspective with anthropological methods.
Stephen Blum (born March 4, 1942) is an American scholar and musician, whose research has primarily been in ethnomusicology.He has lent a multidisciplinary approach to the writing and publication of numerous articles discussing a wide range of musical topics and ideas.
"In time with the music: The concept of entrainment and its significance for ethnomusicology" (PDF). ESEM Counterpoint. 1: 1– 82. Archived from the original (PDF) on 2008-12-17; Collins, Randall (March 2013). "Entering and leaving the tunnel of violence: Micro-sociological dynamics of emotional entrainment in violent interactions".
She taught ethnomusicology and anthropology at the university for seven years. [6] [1] Before she arrived, the university did not include ethnomusicology in their folklore studies. [7]: xiii While teaching in Texas, Herndon developed a course which returned to her roots in country music and examined the genre from an anthropological perspective ...