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Swing Low, Sweet Chariot" is an African-American spiritual song and one of the best-known Christian hymns. Originating in early African-American musical traditions, the song was probably composed in the late 1860s by Wallace Willis and his daughter Minerva Willis , both Choctaw freedmen .
He quickly earned the nickname ‘Chariots Offiah’ in a play on the film Chariot of Fire, and was first believed to have been subjected to Swing Low being sung during a match in 1987.
Song of Songs 6 (abbreviated [where?] as Song 6) is the sixth chapter of the Song of Songs in the Hebrew Bible or the Old Testament of the Christian Bible. [1] [2] This book is one of the Five Megillot, a collection of short books, together with Ruth, Lamentations, Ecclesiastes and Esther, within the Ketuvim, the third and the last part of the Hebrew Bible. [3]
"Swing Down Sweet Chariot" (sometimes "Swing Down, Ezekiel" or "Swing Down Chariot") is an American spiritual song. It tells the story of Ezekiel's vision of the chariot. The title and lyrics are very similar to the spiritual song "Swing Low, Sweet Chariot", and is thought to be an adaptation of said song. Composer and lyricist Wallis Willis is ...
The noun merkavah "thing to ride in, cart" is derived from the consonantal root רכב r-k-b with the general meaning "to ride". The word "chariot" is found 44 times in the Masoretic Text of the Hebrew Bible—most of them referring to normal chariots on earth, [5] and although the concept of the Merkabah is associated with Ezekiel's vision (), the word is not explicitly written in Ezekiel 1.
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Beowulf answers the challenge by boasting that he is the strongest swimmer in the world, and entertains the company with a tale about how, in that contest, he swam the North Sea in full armor while carrying a sword, killed nine huge sea-monsters who dragged him to the ocean floor, and was carried by the currents to the shore of the land of the ...
”The Chariots of the Lord” is a poem by Rev. John Brownlie, D.D., [1] set to music by Edward Elgar in 1914. The song was written for Clara Butt and first performed by her in the Royal Albert Hall on 28 June 1914.