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The second subject group can start in a particular key and then modulate to that key's parallel major or minor. In the first movement of Brahms' Symphony No. 1 (in C minor), the second subject group begins in the relative E ♭ major and goes to the parallel mediant E ♭ minor.
In some compositions, a principal subject is announced and then a second melody, sometimes called a countersubject or secondary theme, may occur. When one of the sections in the exposition of a sonata-form movement consists of several themes or other material, defined by function and (usually) their tonality, rather than by melodic ...
Op. 1 No. 12 – Violin Sonata in B minor; Op. 2 No. 1 – Violin Sonata in E minor; Op 2 No. 2 – Violin Sonata in F major; Op. 2 No. 3 – Violin Sonata in C major; Op. 2 No. 4 – Violin Sonata in A major; Op. 2 No. 5 – Violin Sonata in G major; Op. 2 No. 6 – Violin Sonata in D major; Op. 2 No. 7 – Violin Sonata in B flat major
A major. In sonata form without development. Unusually, the second subject group is in the subdominant key of D major. [1] (III. Scherzo: Allegro vivace - Trio, D. 570) D major (IV. Allegro, D. 570) F-sharp minor. Fragment (breaks off at the end of the development)
For example, unit length of 8 1 ⁄ 2 in the first section of Sonata III is achieved by using six bars in 2/2 time and two in 5/4 (rather than eight bars in 2/2 and one in 1/2). In many sonatas the microstructure—how the melodic lines are constructed—deviates slightly from the pre-defined proportion.
The second movement is in ternary form (or sonata form without development [4]).It opens with a highly ornamented lyrical theme in 3 4 time in F major (mm. 1–16). This is followed by a more agitated, 5-measure transitional passage in D minor (mm. 17–22) accompanied by quiet parallel thirds, followed by a passage full of thirty-second notes in C major (mm. 23–31). [4]
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The Sonata in the Classic Era: The Second Volume of a History of the Sonata Idea, second edition. A History of the Sonata Idea 2; The Norton Library N623. New York: W. W. Norton. ISBN 0-393-00623-9. Newman, William S. 1983a. The Sonata in the Baroque Era, fourth edition. A History of the Sonata Idea 1. New York: W. W. Norton. ISBN 0-393-95275-4.