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Laila is a 2025 Telugu-language action comedy film directed by Ram Narayan. It was produced by Sahu Garapati under Shine Screens. It stars Vishwak Sen in a dual role and Akanksha Sharma in the female lead. [2] [3] [4] The film was released on 14 February 2025 and opened up to highly negative reviews. [5]
She also wrote, "A recent spoof movie in Malayalam was bang on when it came to exposing such overstated scenarios in Malayalam cinema." [ 50 ] Veeyen of Nowrunning.com rated the film 2 out of 5 and said, " Lailaa O lalaa is a sparkless action caper that digs through implausibly convoluted cinematic cliches to narrate a tale that seems to scoff ...
The project was released on 7 October 2011. These three movies were box office failures. In 2012, he was first seen in S. Shankar's comedy-drama Nanban, which featured him as part of an all-star cast including Vijay, Jiiva, Ileana D'Cruz and Sathyaraj. The movie is released to positive reviews. It was dubbed and released in Telugu as Snehitudu ...
Club Fattoush is a real-life bar and arts space in the Israeli port city of Haifa: a kind of bohemian, liberal-minded gathering point for a broad array of residents, be they Israeli or Palestinian ...
Oh Meri Laila is a 2022 Indian Malayalam-language film directed by Abhishek KS starring Antony Varghese, Sona Olickal, Balachandran Chullikkad and Nandhu. The feature film is produced by Dr Paul Varghese and the music composed by Ankit Menon.
The top movie on Apple TV+ at the moment is the new sci-fi horror film “The Gorge.” Starring Miles Teller and Anya Taylor-Joy, the film follows two elite snipers tasked with guarding a deep ...
Sridhar made his full acting debut in K. Balachander's Poi (2006), appearing in a supporting role. [3] He worked as the choreographer for the "Naaka Mukka" song in Kadhalil Vizhunthen (2008), and was given the responsibility of ensuring the hit song translated well on-screen.
On review aggregator Rotten Tomatoes, the film holds a 88% "Fresh" score, based on 25 critic reviews with an average rating of 6.5/10. [7] Fionnuala Halligan of Screen International wrote, "At times, Al-Khadi’s film feels like a torrent of pent-up expression, yet more often reads as a tender yearning."