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An extended metaphor, also known as a conceit or sustained metaphor, is the use of a single metaphor or analogy at length in a work of literature. It differs from a mere metaphor in its length, and in having more than one single point of contact between the object described (the so-called tenor) and the comparison used to describe it (the vehicle).
Parable: extended metaphor told as an anecdote to illustrate or teach a moral lesson. Paradiastole: extenuating a vice in order to flatter or soothe. Paradox: use of apparently contradictory ideas to point out some underlying truth. Paraprosdokian: phrase in which the latter part causes a rethinking or reframing of the beginning.
For most poets—even the plain-speaking Herbert—metaphor is the fundamental means of communicating complexity succinctly. Some metaphors become so widely used that they are widely recognised symbols and these can be identified by using a specialist dictionary. Allegorical verse uses an extended metaphor to provide the framework for the whole ...
An extended metaphor is a metaphor that is continued over multiple sentences. [21] [22] Example: "The sky steps out of her daywear/Slips into her shot-silk evening dress./An entourage of bats whirr and swing at her hem, ...She's tried on every item in her wardrobe." Dilys Rose [23] Onomatopoeia is a word designed to be an imitation of a sound. [24]
Metaphors are most frequently compared with similes. A metaphor asserts the objects in the comparison are identical on the point of comparison, while a simile merely asserts a similarity through use of words such as like or as. For this reason a common-type metaphor is generally considered more forceful than a simile. [15] [16]
Other early allegories are found in the Hebrew Bible, such as the extended metaphor in Psalm 80 of the vine and its impressive spread and growth, representing Israel's conquest and population of the Promised Land. [18] Also allegorical is Ezekiel 16 and 17, wherein the capture of that same vine by the mighty Eagle represents Israel's exile to ...
The Oxford Dictionary of Literary Terms offers a much broader definition for zeugma by defining it as any case of parallelism and ellipsis working together so that a single word governs two or more parts of a sentence.
The extended metaphor of "crossing the bar" represents travelling serenely and securely from life into death. The Pilot is a metaphor for God, whom the speaker hopes to meet face to face. Tennyson explained, "The Pilot has been on board all the while, but in the dark I have not seen him…[He is] that Divine and Unseen Who is always guiding us."