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Murals are important as they bring art into the public sphere. Due to the size, cost, and work involved in creating a mural, muralists must often be commissioned by a sponsor. Often it is the local government or a business, but many murals have been paid for with grants of patronage .
Mural by Diego Rivera showing the pre-Columbian Aztec city of Tenochtitlán.In the Palacio Nacional in Mexico City.. Mexican muralism refers to the art project initially funded by the Mexican government in the immediate wake of the Mexican Revolution (1910–1920) to depict visions of Mexico's past, present, and future, transforming the walls of many public buildings into didactic scenes ...
Other preventive actions (e.g., regular maintenance, graffiti removal, and community awareness) can help preserve murals. Much of the damage seen on murals is due to vandalism and a lack of maintenance. Sadly, regular maintenance is not always a priority. [1] Building maintenance is also important to the life of the mural.
In addition, Chicano mural art is not an exhibition of only one person's art, but rather a collaboration among multiple artists and community members, giving the entire community ownership of mural. Its significance lies in its accessibility and inclusivity, painted in public spaces as a form of cultural affirmation and popular education of ...
Diego Rivera (Spanish pronunciation: [ˈdjeɣo riˈβeɾa]; December 8, 1886 – November 24, 1957) was a prominent Mexican painter.His large frescoes helped establish the mural movement in Mexican and international art.
The murals at Chicano Park act as a way to transmit the history and culture of Mexican-Americans and Chicanos. [11] Murals have many themes including addressing immigration, feminist concerns and featuring historical and civil rights leaders. [11] In 1978, there was a "Mural Marathon" which took place from April 1 through April 22. [11]
Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
The larger mural also visually lived on in photography, particularly, the studies by OBAC photographer, Robert A. Sengstacke. [12] For a time forgotten by the mainstream art world, the Wall of Respect continues to be an important cultural reference point for local community members and the subject of scholarly inquiry.
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