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The most common meaning is a short, easy sonata suitable for students, such as the piano sonatinas of Clementi. However, by no means are all sonatinas technically undemanding, for example the virtuoso sonatinas of Busoni and Alkan , and the Sonatine of Ravel , whose title reflects its neo-classical quality.
These works are in Category XVII of the Hoboken catalogue. Capriccio in G major on "Acht Sauschneider müssen sein", Hob. XVII/1; Twenty Variations in G major, Hob.XVII/2
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This sonata is a relatively simple work, featuring less sophistication than most of the other piano sonatas. Strangely, there are no dynamic indications in the autograph or first edition. It is considered the easier of the two "easy sonatas", and is also considered the easiest of all the Beethoven piano sonatas. [3]
Sonatinas nos. 1–4 (1928–35) Ethel Smyth. Violin Sonata in A minor, Op. 7 (published 1887) (Not mentioned in the list of works linked to in the article but recorded on Troubadisc [20] and noted in published articles- Dale's in Oct. 1949 Music & Letters.) Louis Spohr. Sonata for Violin and Harp in B-flat major, Op. 16
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Although various composers in the 17th century had written keyboard pieces which they entitled "Sonata", it was only in the classical era, when the piano displaced the earlier harpsichord and sonata form rose to prominence as a principle of musical composition, that the term "piano sonata" acquired a definite meaning and a characteristic form.
Three Sonatinas for Violin and Piano, Op. 137. Sonatina in D major, D 384 (Op. 137 No. 1) Sonatina in A minor, D 385 (Op. 137 No. 2) Sonatina in G minor, D 408 (Op. 137 No. 3) Sonata or (Grand) Duo in A major for Violin and Piano, D 574 (Op. 162) Rondo (Brillant) in B minor for Violin and Piano, D 895 (Op. 70)
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