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The work was composed for Viennese trumpet virtuoso and proponent of the keyed trumpet, Anton Weidinger. There are parts which Weidinger may have altered to make it easier to perform on the keyed trumpet. [1] Originally this piece was written in E major, but today is usually performed in E-flat major. [2]
The seventh partial (B♭ on trumpet) is flat relative to equal temperament, and thus its use is also avoided. This method is impractical in the altissimo range, because of fingering differences between horns.
E ♭ cornet, also known as a soprano cornet; Tenor horn, known as an Alto Horn in the US; Tuba in E-flat (written at concert pitch when using the bass clef, only transposing when written in treble clef) Circular altohorn (Koenig horn) pitched in E ♭ Tenor cornet; Mellophone; Alto trombone; Vocal horn (cornet with an upward-facing bell)
VIIe/1) (Trumpet Concerto in E-flat major) in 1796 for the trumpet virtuoso Anton Weidinger. Joseph Haydn was 64 years of age. A favourite of the trumpet repertoire, it has been cited as "possibly Haydn's most popular concerto". [1] Although written in 1796, Weidinger first performed the concerto four years later on March 28, 1800. [2]
The very first designs of keyed trumpet were intended to correct the intonation of the notes in the harmonic series, rather than to extend its capabilities to a full chromatic scale. [5] The harmonic trumpet, a silver trumpet in E♭ with crooks for D, C, and B♭ and four keys, was made by London instrument maker William Shaw for King George ...
The nominal range of the tenor horn (expressed in concert pitch) is from the A an octave and a minor third below middle C to the E ♭ an octave and a minor third above middle C (A 2 to E ♭ 5 in scientific pitch notation). Experienced players can reach at least a major third higher than this.
Arban's Complete Conservatory Method for Trumpet is a method book for students of trumpet, cornet, and other brass instruments. The original edition, Grande méthode complète de cornet à pistons et de saxhorn) , was written and composed by Jean-Baptiste Arban (1825-1889) and published in Paris by Léon Escudier in 1864. [ 1 ]
For example, a written C on a B ♭ clarinet or trumpet sounds as a non-transposing instrument's B ♭. The term "concert pitch" is used to refer to the pitch on a non-transposing instrument, to distinguish it from the transposing instrument's written note. The clarinet or trumpet's written C is thus referred to as "concert B ♭ ". [1]
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