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The Bauhaus emblem, designed by Oskar Schlemmer, was adopted in 1922. Typography by Herbert Bayer above the entrance to the workshop block of the Bauhaus Dessau, 2005. The Staatliches Bauhaus (German: [ˈʃtaːtlɪçəs ˈbaʊˌhaʊs] ⓘ), commonly known as the Bauhaus (German for 'building house'), was a German art school operational from 1919 to 1933 that combined crafts and the fine arts. [1]
The Bauhaus typeface design is based on Herbert Bayer's 1925 experimental Universal typeface and the Bauhaus aesthetic overall. The Bauhaus school sought to modernize, unify and standardize design into an idealistic form that would combine function with aesthetics. One aspect of their many proposed reforms was a series of related Bauhaus typefaces.
The Bauhaus Dessau is one of the iconic buildings of the 20th century. It was designed by Walter Gropius and was officially opened on 4 December 1926, having taken just over a year to build. [12] It is "regarded as a 'built manifesto' of the Bauhaus's ideas, in which the functionality and aesthetics of the design coalesce to form a single ...
Armin Hofmann, Poster for Kunsthalle Basel, 1959. Swiss style (also Swiss school or Swiss design) is a trend in graphic design, formed in the 1950s–1960s under the influence of such phenomena as the International Typographic Style, Russian Constructivism, the tradition of the Bauhaus school, the International Style, and classical modernism.
Aepli's style might best be described as the evolution of Modernism, the Bauhaus and Art Déco. Using a scientific approach, compositions methodically evolved from the basic geometric shapes, using nothing but flat, square or round stock. Yet a close observation of nature and its creations led him to conclude that there were no incorrect forms ...
Bauhaus and De Stijl Suprematism ( Russian : супремати́зм ) is an early twentieth-century art movement focused on the fundamentals of geometry (circles, squares, rectangles), painted in a limited range of colors.
Bauhaus Dessau, also Bauhaus-Building Dessau, is a building-complex in Dessau-Roßlau. It is considered the pinnacle of pre-war modern design in Europe and originated out of the dissolution of the Weimar School and the move by local politicians to reconcile the city's industrial character with its cultural past.
From 1922 to 1924, Hartwig designed a series of wooden chess sets, which have now become a famous example of the Bauhaus design sensibilities. The detailed design of the pieces differed from model to model, but all of them feature geometric shapes with a square base---in Model XVI from 1924 the pawns are plain wood cubes.