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Early vitrines were often constructed of darker woods, such as mahogany, rosewood, or walnut. [2] Vitrines from southern Europe often featured extensive use of gilt bronze or ormolu mounts for ornamentation around the cartouches, edges, handles, key escutcheons, window panes, and other decorative elements, while vitrines from northern Europe often used less gilding and put more emphasis on the ...
Other decorative arts such as architecture, ceramics, silver, and textiles could also feature elements of the William and Mary style. The design movement had an extremely positive impact on the craftsmanship and quality of British furniture. [7] The William and Mary style was a transitional style between Mannerist and Queen Anne furniture. [4]
It featured Roman and Greek motifs. The later furniture featured decorative elements of Chinoiserie and other exotic styles. [1] Louis XV furniture was designed not for the vast palace state rooms of the Versailles of Louis XIV, but for the smaller, more intimate salons created by Louis XV and by his mistresses, Madame de Pompadour and Madame ...
English furniture has developed largely in line with styles in the rest of northern Europe, but has been interpreted in a distinctive fashion. There were significant regional differences in style, for example between the North Country and the West Country .
But the intricate ornamentation of post-Restoration furniture was abandoned in favor of more conservative designs, possibly under the influence of the simple and elegant lines of imported Chinese furniture. [13] When decorative motifs or other ornamentation are used in Queen Anne-style furniture, it is often limited to carved scallop or shell ...
Furniture would be exported to Byblos, and in return Egypt would import wood. Byblos was important, but it was not the only way of acquiring wood. After the First Intermediate Period Egypt lost influence over certain parts of the world. For example, Egypt had no military presence in the Levant, instead Egypt dominated the area economically.
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As an early-19th-century design movement in the United States, it encompassed architecture, furniture and other decorative arts, as well as the visual arts. In American furniture, the Empire style was most notably exemplified by the work of New York cabinetmakers Duncan Phyfe and Paris-trained Charles-Honoré Lannuier.