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File: Marie Laurencin, 1910-11, Les jeunes filles, Jeune Femmes (Young Girls), oil on canvas, 115 x 146 cm, Moderna Museet, Stockholm.jpg Add languages Add topic
A blue flower (German: Blaue Blume) was a central symbol of inspiration for the Romanticism movement, and remains an enduring motif in Western art today. [1] It stands for desire , love , and the metaphysical striving for the infinite and unreachable.
The pigment analysis of this painting [3] reveals the use of the pigments of the baroque period such as madder lake, yellow ochre, vermilion and lead white.Vermeer did not paint the robe of Christ with his usual blue pigment of choice ultramarine (see for example The Milkmaid) but with a mixture of smalt, indigo and lead white.
Virgin and Child. Wall painting from the early catacombs, Rome, 4th century. Early Christian art survives from dates near the origins of Christianity, although many early Christians associated figurative art with pagan religion, and were suspicious or hostile towards it. Over time, this lessened.
The Flower Girl (c. 1665-1670) by Bartolomé Esteban Murillo The Immaculate Conception of El Escorial, a section of which can be seen under the top layer of The Flower Girl The Flower Girl (Italian - Fanciulla con fiori , Ragazza con fiori or La Fioraia' ; Spanish - Muchacha con flores ) is a c. 1665-1670 oil on canvas painting by the Spanish ...
In 2014, art experts from The Phillips Collection, the National Gallery of Art, Cornell University, and Winterthur Museum consolidated their research and concluded that Picasso had painted both images in haste in the summer of 1901. [4] [5] Picasso painted The Blue Room at a period in his life when he was still a struggling, impoverished artist ...
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Purple Robe and Anemones (French: Robe violette et Anémones) is a 1937 painting by Henri Matisse [1] featuring a woman wearing a purple robe sitting next to a vase of anemones. The painting is among those purchased by art collector and socialite Etta Cone [ 2 ] and is part of the Cone Collection at Baltimore Museum of Art . [ 3 ]
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