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Another example is Adobe Jenson, which supports "weight" and "optical size" axes. This font uses three masters to represent the optical-size axis, designed for 6, 12, and 72 point type, respectively. This allows the common size of 12 points to be optimized, but requires 6 master designs for roman, and another 6 for italic.
The traditional typographic units are based either on non-metric units, or on odd multiples (such as 35 ⁄ 83) of a metric unit.There are no specifically metric units for this particular purpose, although there is a DIN standard sometimes used in German publishing, which measures type sizes in multiples of 0.25 mm, and proponents of the metrication of typography generally recommend the use of ...
Diagram of a cast metal sort.a face, b body or shank, c point size, 1 shoulder, 2 nick, 3 groove, 4 foot.. In professional typography, [a] the term typeface is not interchangeable with the word font (originally "fount" in British English, and pronounced "font"), because the term font has historically been defined as a given alphabet and its associated characters in a single size.
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In typography, the point is the smallest unit of measure. It is used for measuring font size, leading, and other items on a printed page. The size of the point has varied throughout printing's history. Since the 18th century, the size of a point has been between 0.18 and 0.4 millimeters.
Cascading Style Sheets (CSS) defined by the World Wide Web Consortium use pc as the abbreviation for pica (1 ⁄ 6 of an inch), and pt for point (1 ⁄ 72 of an inch). [3] The pica is also used in measuring the font capacity and is applied in the process of copyfitting. [4] The font length is measured there by the number of characters per pica ...
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The Didot point was metrically redefined as 1 ⁄ 2660 m (≈ 0.376 mm) [citation needed] in 1879 by Berthold. The advent and success of desktop publishing (DTP) software and word processors for office use, coming mostly from the non-metric United States , side stepped this metrication process in typography.