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Sheet One is the second studio album by Canadian electronic music producer Richie Hawtin, and his debut studio album under the alias Plastikman. It was released in 1993 by Novamute Records . Artwork
Editors at AllMusic rated this album 4.5 out of 5 stars, with critic Andy Kellman writing that "Mother is an engrossing double album... [and] more evidence of Cleo Sol and Inflo's high levels of productivity and quality control" that is "somehow both more concentrated and expansive" than Sol's 2020 album Rose in the Dark. [1]
3. Roll No 21 - Time Ki Bhool Bhulaiya 4. Roll No 21 - Ticket To Australia [4] 5. Roll No 21 - Lights, Camera, Action Kris In Bollywood 6. Roll No 21 - Kris Aur Scuba Dooba Ajooba 7. Roll No 21 - Get Set Go Kris 8. Roll No 21 - Kris Aur Phantom Ka Raaz [5] 9. Roll No 21 - Kris Aur Shoonya Registaan 10. Roll No 21 - Kris vs Zombies 11. Roll No ...
A one sheet is a specific size (typically 27 by 41 inches (69 cm × 104 cm) before 1985; 27 by 40 inches (69 cm × 102 cm) after 1985) of film poster advertising. Multiple one-sheets are used to assemble larger advertisements, which are referred to by their sheet count, including 24-sheet [ 9 ] billboards , and 30-sheet billboards.
The Forget Tomorrow World Tour [1] is the ongoing seventh headlining concert tour by American singer-songwriter Justin Timberlake. His first tour in five years, it is in support of his sixth studio album, Everything I Thought It Was (2024).
The AOL.com video experience serves up the best video content from AOL and around the web, curating informative and entertaining snackable videos.
Don't Forget the Lyrics! is an American television game show in which contestants compete to win $1 million by correctly recalling song lyrics from a variety of genres. [1] The program originally aired on Fox from July 11, 2007, to June 19, 2009, hosted by Wayne Brady and produced by RDF USA , part of RDF Media .
Don't Forget Us Here is the memoir of a man who was in detention at Guantánamo Bay for 14 years. The book is a series of manuscripts Mansoor Adayfi wrote while he was imprisoned at Guantánamo and sent to his attorneys as letters; he then used them as the basis of his book, which he wrote in collaboration with Antonio Aiello. [1]