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The concert overture In Nature's Realm (Czech: V přírodě, koncertní ouvertura), Op. 91, B. 168, was written by Antonín Dvořák in 1891. It is the first part ("Nature") of a "Nature, Life and Love" trilogy of overtures written by Dvořák.
The concert overture Othello (Czech: Othello, koncertní ouvertura), Op. 93, B. 174, was written by Antonín Dvořák in 1892 as the third part of a trilogy of overtures called "Nature, Life and Love". The first two parts of the trilogy are In Nature's Realm, Op. 91 ("Nature") and the Carnival Overture, Op. 92 ("Life"). [1]
Josef Škvorecký wrote Dvorak in Love about his life in America as Director of the National Conservatory for Music. Asteroid 2055 Dvořák, discovered by Luboš Kohoutek, is named in his honor. [171] Dvorak (Anton) Park in Chicago's Pilsen Historic District is also named after the composer. [172]
In Nature's Realm in F major: orchestra: concert overture 169: 92: 1891: Karneval A dur, koncertní ouvertura: Carnival in A major: orchestra: concert overture 170: 46/2: 1891: Slovanský tanec e moll pro housle a klavír: Slavonic Dance in E minor: violin and piano: arrangement of B. 78 no. 2 171: 94: 1891: Rondo g moll pro violoncello a ...
The Wild Dove (also known as The Wood Dove; Czech: Holoubek), Op. 110, B. 198 (1896), is the fourth orchestral poem composed by the Czech composer, Antonín Dvořák. ...
During the witch's chase, the music alternates between two different time signatures as a further dramatic device. A semi-public performance was given at the Prague Conservatory on 3 June 1896 under Antonín Bennewitz. Its first full public première was on 21 November 1896, in London, under the baton of Henry Wood.
The Symphony No. 9 in E minor, "From the New World", Op. 95, B. 178 (Czech: Symfonie č. 9 e moll "Z nového světa"), also known as the New World Symphony, was composed by Antonín Dvořák in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895.
The first movement starts off the Serenade in the key of E major. The second violins and cellos introduce the lyrical main theme over an eighth note pulse in the violas.The theme is traded back and forth, and the second violins reprise it under a soaring passage in the firsts.
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