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In addition to Leblanc clarinets, the G. Leblanc Corporation started importing brasswinds and saxophones made by the French firms Courtois and Beaugnier, respectively, branded "Leblanc." Leblanc's most distinctive saxophones at the time were its Model 100 and 120 "System" saxophones, the latest iteration of instruments designed by G. Leblanc ...
Hanson Clarinet Company B♭, A Howarth of London B♭, A: A (joints & barrels only) Jupiter Band Instruments B♭ B♭ Leblanc (a division of The Selmer Company) B♭ E♭ B♭ EE♭ BB♭ Leitner & Kraus E♭, D: C, B♭, A: B♭, A: F B♭ Orsi Instrument Company: G, A♭ (on request) E♭ C, B♭, A, G F (on request) E♭ B♭ Fratelli ...
Vito is a brand name for Leblanc USA, now part of Conn-Selmer USA. The Vito name was used for student through professional (Yanagisawa baritone saxophone) instruments. Leblanc USA was formed in 1946 by Vito Pascucci, and the French woodwind manufacturer, G. Leblanc Cie of France. To meet high demand, Leblanc USA started to manufacture clarinets ...
The subcontrabass clarinet is a largely experimental instrument with little repertoire. Three versions in EEE♭ (an octave below the contra-alto clarinet) were made, and a version in BBB ♭ (an octave below the contrabass clarinet) was built by Leblanc in 1939. [123] [124]
Leblanc was acquired by Conn-Selmer in 2004. In 2008, the Elkhorn factory was closed and production was moved to the Eastlake, Ohio plant that produces King and C.G. Conn brasswinds. [ 14 ] Conn-Selmer currently produces Holton-branded cornets, trumpets, french horns, trombones, and slide and valve oil. [ 15 ]
Bliss started playing clarinet at age 4, when he was given a Lyons C Clarinet, a clarinet designed to let children begin the clarinet four or more years younger than usual. Most students do not play wind instruments until age 11 or 12. [1] In 1997 Bliss began studying at The Purcell School for Young Musicians.
The Boehm system for the clarinet is a system of clarinet keywork, developed between 1839 and 1843 by Hyacinthe Klosé and Auguste Buffet jeune.The name is somewhat deceptive; the system was inspired by Theobald Boehm's system for the flute, but necessarily differs from it, since the clarinet overblows at the twelfth rather than the flute's octave.
The contra-alto clarinet [2] is largely a development of the 2nd half of the 20th century, although there were some precursors in the 19th century: . In 1829, Johann Heinrich Gottlieb Streitwolf [], an instrument maker in Göttingen, introduced an instrument tuned in F in the shape and fingering of a basset horn, which could be called a contrabasset horn because it played an octave lower than it.
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