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Igor Stravinsky, one of the most important and influential composers of the twentieth century. Neoclassicism in music was a twentieth-century trend, particularly current in the interwar period, in which composers sought to return to aesthetic precepts associated with the broadly defined concept of "classicism", namely order, balance, clarity, economy, and emotional restraint.
Date ranges of classical music eras are therefore somewhat arbitrary, and are only intended as approximate guides. Scholars of music history do not agree on the start and end dates, and in many cases disagree whether particular years should be chosen at all. The 20th century has exact dates, but is strictly a calendar based unit of time.
This category is about Neoclassicism in music, as it existed as an art movement from the early 20th century on.. Neoclassicism in music differs from Neoclassicism in plastic arts and writing: Neoclassicism in plastic arts and writing is a style that revives the imagery and forms of classical antiquity: the art movement that exemplifies this kind of neoclassicism had its peak in late 18th ...
Important cultural trends often informed music of this period, romantic, modernist, neoclassical, postmodernist or otherwise. Igor Stravinsky and Sergei Prokofiev were particularly drawn to primitivism in their early careers, as explored in works such as The Rite of Spring and Chout.
Neoclassicism (music), a musical movement of the 20th century particularly popular in the period between the two World Wars; Neoclassical dark wave, a genre of darkwave music; Neoclassical metal, a subgenre of heavy metal music influenced by classical music; Neoclassical new-age music, a subgenre of new age music
Neotonality (or neocentricity) is an inclusive term referring to musical compositions of the twentieth century in which the tonality of the common-practice period (i.e. functional harmony and tonic-dominant relationships) is replaced by one or several nontraditional tonal conceptions, such as tonal assertion or contrapuntal motion around a central chord.
The psychology of music, or music psychology, is a branch of psychology, cognitive science, neuroscience, and/or musicology. It aims to explain and understand musical behaviour and experience , including the processes through which music is perceived, created, responded to, and incorporated into everyday life.
The term dark music is preferred in the social and cultural studies of music within dark culture, used as a collective term for the entirety of the music received in this scene. [4] Alternate dark waves of music includes darkcore, dark ambient, dark cabaret, dark folk, dark psytrance, and dark wave music which is part of the new wave movement.