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In 2000, the Directors Guild of America called the NC-17 rating an "abject failure", for causing filmmakers to re-edit films to receive an R rating, rather than accept an NC-17 rating. They argued that this was "not only compromising filmmakers' visions, but also greatly increasing the likelihood that adult-oriented movies are seen by the very ...
Wide Screen Movies Magazine, Vol. 1, 2002. Retrieved on 2006-12-01. Herbert, Stephen. Museum of the Moving Image, date unknown. Retrieved on 2006-12-01. Horak, Jan-Christopher. Introduction to Film Gauges. UCLA Film and Television Archive, 2000. Retrieved on 2006-12-01. Internet Movie Database Incorporated. Internet Movie Database, 1990–2006 ...
The primary characteristic of a film format is its size and shape. In the case of motion picture film, the format sometimes includes audio parameters. Other characteristics usually include the film gauge , pulldown method, lens anamorphosis (or lack thereof), and film gate or projector aperture dimensions, all of which need to be defined for ...
Films with this rating may be sold without any age restriction provided they do not contain any material "evidently harmful to the development of children and youths". [55] The FSK rating also limits the time of the day in which the movie may be aired on free-to-air TV stations to a time frame between 22:00 (FSK 16) or 23:00 (FSK 18) and 6:00.
The MPAA effectively operated under a two-category classification system (either labeled SMA or containing no such label) from 1966 until Nov. 1, 1968 (when the official 4 category rating system was begun with the designations G, M, R, and X). [citation needed] The Green Sheet advisory panel was not a part of the MPAA ratings board.
Christopher Nolan is a big fan of movies that are much more smaller-scale dramas like “Aftersun” (“a beautiful film”) and “Past Lives” (“subtle in a beautiful sort of way ...
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Academy ratio 1.375:1. The Academy ratio of 1.375:1 (abbreviated as 1.37:1) is an aspect ratio of a frame of 35 mm film when used with 4-perf pulldown. [1] [2] It was standardized by the Academy of Motion Picture Arts and Sciences as the standard film aspect ratio in 1932, although similar-sized ratios were used as early as 1928.