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In, again, Macbeth, the entire play "is done upon a stronger and more systematic principle of contrast than any other of Shakespear's plays." [304] He notes that "a certain tender gloom overspreads the whole" of Cymbeline. [31] Romeo and Juliet shows "the whole progress of human life" in which "one generation pushes another off the stage."
In Romeo and Juliet, Shakespeare employs several dramatic techniques that have garnered praise from critics, most notably the abrupt shifts from comedy to tragedy (an example is the punning exchange between Benvolio and Mercutio just before Tybalt arrives).
The Nurse is a bawdy comic character, and a confidante of Juliet, in Romeo and Juliet. The Nurse helps to deliver Aaron's son to Tamora, in Titus Andronicus. Aaron murders her. Nym (fict) is a follower of Sir John Falstaff in The Merry Wives of Windsor, and a companion of Pistol and Bardolph in Henry V.
However, people suspect his sudden power, and he finds it necessary to commit more and more murders to maintain power, believing himself invincible so long as he is bloody. Finally, the old king's son Malcolm besieges Macbeth's castle, and Macduff slays Macbeth in armed combat. Othello: 1602–1604 [12] (c. 1603)
For instance, Johnson thought that there was an uncanny power in Shakespeare's supernatural scenes and wrote, "He that peruses Shakespeare looks round alarmed and starts to find himself alone". [14] At the end of the work, Johnson announced that he would produce a new edition of Shakespeare: [15]
Macbeth was a favourite of the seventeenth-century diarist Samuel Pepys, who saw the play on 5 November 1664 ("admirably acted"), 28 December 1666 ("most excellently acted"), ten days later on 7 January 1667 ("though I saw it lately, yet [it] appears a most excellent play in all respects"), on 19 April 1667 ("one of the best plays for a stage ...
Lord Macbeth, the Thane of Glamis and quickly the Thane of Cawdor, is the title character and main protagonist in William Shakespeare's Macbeth (c. 1603–1607). The character is loosely based on the historical king Macbeth of Scotland and is derived largely from the account in Holinshed's Chronicles (1577), a compilation of British history.
The Bible in Shakespeare Columbus, Ohio: The Lutheran Book Concern, n.d. Anders, Henry R. D. “Chapter 6: The Bible and the Prayer Book” Shakespeare’s Books: A Dissertation on Shakespeare’s Reading and the Immediate Sources of His Works Berlin: Georg Reimer, 1904.