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  2. 212 (song) - Wikipedia

    en.wikipedia.org/wiki/212_(song)

    The song, written at 126 beats per minute, [19] samples the musical base of Lazy Jay's "Float My Boat", an instrumental house track. [1] The song title is a reference to the area code 212 , which covers Manhattan, New York City , where Banks grew up.

  3. Ten Percent (song) - Wikipedia

    en.wikipedia.org/wiki/Ten_Percent_(song)

    In 1976, Salsoul Records released their eighth release, Walter Gibbons' remix of Double Exposure's disco song "Ten Percent". [2] " Ten Percent" was the first commercially available 12-inch single . [ 3 ] [ 4 ] Although, according to the record label, the actual title of this record is Ten Per Cent, not Ten Percent.

  4. BPM - Wikipedia

    en.wikipedia.org/wiki/BPM

    BPM (Beats per Minute), a 2017 French film; BPM, an American magazine; BPM (Sirius XM), a satellite radio channel; Beats Per Minute, a New York-based publication; BPM, by Salvador Sobral, 2021; B.P.M., a B-side to "I Believe In You" by Kylie Minogue, 2004; Ball Park Music, an Australian indie rock band

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  6. Quantization (music) - Wikipedia

    en.wikipedia.org/wiki/Quantization_(music)

    In digital music processing technology, quantization is the studio-software process of transforming performed musical notes, which may have some imprecision due to expressive performance, to an underlying musical representation that eliminates the imprecision. The process results in notes being set on beats and on exact fractions of beats. [1]

  7. Ten Percent - Wikipedia

    en.wikipedia.org/wiki/Ten_Percent

    Ten Percent is the debut studio album recorded by American male vocal quartet Double Exposure, ... 10: 6. "My Love Is Free" Allan Felder, T.G. Conway: 7:00: 7. "Pick Me"

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  9. The Geometry of Musical Rhythm - Wikipedia

    en.wikipedia.org/wiki/The_Geometry_of_Musical_Rhythm

    Godfried Toussaint (1944–2019) was a Belgian–Canadian computer scientist who worked as a professor of computer science for McGill University and New York University.His main professional expertise was in computational geometry, [2] but he was also a jazz drummer, [3] held a long-term interest in the mathematics of music and musical rhythm, and since 2005 held an affiliation as a researcher ...