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Deathstalker, also known as El cazador de la muerte, is a 1983 Argentine-American sword and sorcery film directed by James Sbardellati (credited as John Watson), and starring Rick Hill, Barbi Benton, Bernard Erhard and Lana Clarkson.
This movie appeared on the seventh season of Mystery Science Theater 3000.In the episode, Mike Nelson, Tom Servo, and Crow T. Robot mock lead actor John Allen Nelson's inability to maintain a consistent accent throughout the film, as well as his character's irritating cockiness that causes them to root against him for most of the movie.
The Way to Dusty Death is a thriller novel written by Scottish author Alistair MacLean. It was originally published in 1973. The title is a quotation from the famous soliloquy in Act 5, Scene 5 in Shakespeare’s play Macbeth. The book was published in 1973 and became a best seller. [1] The Chicago Tribune thought Maclean was writing "as a ...
Netflix's Fear Street franchise is far from over and Us is ready for more spooky stories. The streamer acquired the movies, which are based on R. L. Stine's book series of the same name, after ...
Ramirez returns from a trip and discovers that he has been caught when he sees his face on every newspaper. The episode also details Ramirez's courtroom presence, his female fans, and ultimately his death from cancer in 2013 while awaiting execution. The series ends with the detectives detailing how this case has affected their lives.
Robert Stack (born Charles Langford Modini Stack; January 13, 1919 – May 14, 2003) [1] [2] [3] was an American actor and television host. Known for his deep voice and commanding presence, he appeared in over forty feature films.
Along the lines of Ian Fleming's Bond series, to which the Phil Sherman novels have been positively compared, each book features exotic locations, sophisticated venues, and no few sexual encounters. [ 11 ] [ 12 ] Resurging nazis are frequently the antagonists .
She wrote A Book of Common Prayer in anticipation of Quintana growing up and leaving her. She used novels to deal with her own fears. Didion then began transitioning to writing about politics, supported by Bob Silvers, editor-in-chief of the New York Review of Books at the time. Didion wanted to investigate the brutality in El Salvador.