Search results
Results from the WOW.Com Content Network
The 1969 Billboard year-end list is composed of records that entered the Billboard Hot 100 during November–December 1968 (only when the majority of chart weeks were in 1969), January to November–December 1969 (majority of chart weeks in 1969). Records with majority of chart weeks in 1968 or 1970 are included in the year-end charts for those ...
Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
Definition Lacuna: gap: A silent pause in a piece of music Ossia: from o ("or") + sia ("that it be") A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello: little return
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The Harvard Dictionary of Music is a standard music reference book published by the Belknap Press of Harvard University Press. The first edition, titled Harvard Dictionary of Music, was published in 1944, and was edited by Willi Apel. The second edition, also edited by Apel, was published in 1969.
More recently, Cheap Imitation (1969) by John Cage was produced by systematically changing notes from the melody line of Socrate by Erik Satie using chance procedures. In jazz , a contrafact is a musical composition consisting of a new melody overlaid on a familiar harmonic structure .
The author Carys Wyn Jones writes that the Beach Boys' Pet Sounds (1966), the Beatles' Revolver (1966) and Sgt. Pepper's Lonely Hearts Club Band (1967), and the Who's Tommy (1969) are variously cited as "the first concept album", usually for their "uniform excellence rather than some lyrical theme or underlying musical motif". [24]
Anarâškielâ; العربية; Azərbaycanca; 閩南語 / Bân-lâm-gú; Беларуская; Беларуская (тарашкевіца) Bosanski; Čeština