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The verses are in 7 4 time, an unorthodox meter which the band would also later use in " Spoonman ". [ 6 ] Guitarist Kim Thayil has said that Soundgarden usually did not consider the time signature of a song until after the band had written it, and said that the use of odd meters was "a total accident."
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
Most time signatures consist of two numerals, one stacked above the other: The lower numeral indicates the note value that the signature is counting. This number is always a power of 2 (unless the time signature is irrational), usually 2, 4 or 8, but less often 16 is also used, usually in Baroque music. 2 corresponds to the half note (minim), 4 to the quarter note (crotchet), 8 to the eighth ...
Septuple meter (British: metre) or (chiefly British) septuple time is a meter with each bar (American: measure) divided into 7 notes of equal duration, usually 7 4 or 7 8 (or in compound meter, 21
"Times Like These" is in D Mixolydian mode and the section that begins at 0:13 is in 7/4 time. The chorus of the song is also grouped in bars of 3 rather than the regular bars of 4. The intro starts in 8/4 time for 4 bars, then switches to 7/4 for 8 bars and then 3 bars of 8/4 again before leading into the first verse, which is also in 8/4.
[6] "Mudra" teaches children about India through recited "tripped out astral poetry" and sitar grooves laid atop synthesiser bleeps. [12] Writer Mike Oxman wrote that the following song "Accent" veers abruptly "from a jaunty Schoolhouse Rock-type pop song to segments instructing children to clap poly-rhythmically over odd 5 4 and 7 4 time ...
The composition features a number of time signature changes. The intro and outro are performed in 6 8 time, led by Shaw's acoustic guitar tracks and Dennis DeYoung's synthesizer melodies. The vocal sections of the song are in 4 4. The instrumental features a synthesizer solo in 7 4 time, before returning to 4 4 for the final chorus.
The song has a dissonant atmosphere and is also notable for its changing time signatures. For much of the song, there is a cycle of one measure of 7/4, then two of 4/4. [ 3 ] Guitarist Kim Thayil has said that Soundgarden usually did not consider the time signature of a song until after the band had written it, and said that the use of odd ...