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  2. Didi Kempot - Wikipedia

    en.wikipedia.org/wiki/Didi_Kempot

    The song's theme did not fit the mainstream comedic, funny songs along the lines of "Jika Bulan Bisa Ngomong" ("If Only the Moon Could Speak") by Doel Sumbang . Moreover, the campursari style employed by Didi was not popular in the 1980s; Musica lumped him together with other Javanese pop singers. [6]

  3. List of chord progressions - Wikipedia

    en.wikipedia.org/wiki/List_of_chord_progressions

    IV-V-I-VI chord progression in C major: 4: Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4: Major I–IV– ♭ VII–IV: I–IV– ♭ VII–IV. 3: Mix. ii–V–I progression: ii–V–I: 3: Major ii–V–I with tritone substitution (♭ II7 instead of V7) ii– ♭ II –I: 3: Major ii-V-I with ♭ III + as dominant ...

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  5. Chord (music) - Wikipedia

    en.wikipedia.org/wiki/Chord_(music)

    Guitarist performing a C chord with G bass. In music, a chord is a group of three or more notes played simultaneously, typically consisting of a root note, a third, and a fifth. [a] Chords are the building blocks of harmony and form the harmonic foundation of a piece of music. They can be major, minor, diminished, augmented, or extended ...

  6. Guitar chord - Wikipedia

    en.wikipedia.org/wiki/Guitar_chord

    A chord is inverted when the bass note is not the root note. Additional chords can be generated with drop-2 (or drop-3) voicing, which are discussed for standard tuning's implementation of dominant seventh chords (below). Johnny Marr is known for providing harmony by playing arpeggiated chords.

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  8. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1 ...

  9. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...