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William Shakespeare, Julius Caesar, act 3, scene 1 "O happy dagger! This is thy sheath; there rest, and let me die." Romeo and Juliet, act 5, scene 3, 169–170. "To what green altar, O mysterious priest, / Lead'st thou that heifer lowing at the skies, / And all her silken flanks with garlands drest?" John Keats, "Ode on a Grecian Urn"
In the famous speech of Act II, Scene II [1] of the play, the line is said by Juliet in reference to Romeo's house: Montague. The line implies that his name (and thus his family's feud with Juliet's family) means nothing and they should be together. Juliet: O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name;
Tybalt, meanwhile, still incensed that Romeo had sneaked into the Capulet ball, challenges him to a duel. Romeo, now considering Tybalt his kinsman, refuses to fight. Mercutio is offended by Tybalt's insolence, as well as Romeo's "vile submission", [1] and accepts the duel on Romeo's behalf. Mercutio is fatally wounded when Romeo attempts to ...
Friar Laurence is a friar who plays the part of a wise adviser to Romeo and Juliet, along with aiding in major plot developments.. Alone, he foreshadows the later, tragic events of the play with his soliloquy about plants and their similarities to humans. [1]
After the conclusion of Act 5, Scene 7 from 3 Henry VI, the film then moves on to the opening soliloquy from Act 1, Scene 1 of Richard III. However, after twenty-three lines, it then moves back to 3 Henry VI, quoting from Richard's soliloquy in Act 3, Scene 2; Why, love forswore me in my mother's womb, And for I should not deal in her soft laws,
Keeping your kids apart is tricky for a new mom, but when one of those kids is actually a touchy tabby cat it can really be hard. Poor Melanie has been working so hard to keep her cat Honey away ...
The phrase is spoken in Act 3, Scene 1 of the tragedy. Tybalt, a kinsman of the Capulets and cousin to Juliet, is dueling with Mercutio, a friend of Romeo from the Montague family. Romeo and Benvolio attempt to break up the fight. Mercutio, distracted, does not see his opponent and is fatally wounded by Tybalt under Romeo's arm.
[4] [5] No single play marks a change from the traditional to the freer style. Shakespeare combined the two throughout his career, with Romeo and Juliet perhaps the best example of the mixing of the styles. [6] By the time of Romeo and Juliet, Richard II, and A Midsummer Night's Dream in the mid-1590s, Shakespeare had begun to write a more ...