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UKF (short for United Kingdom and Frome) is a record label founded by Luke Hood and AEI Group that focuses on promoting electronic music. UKF Music was created by Luke Hood, who began sharing bass music through his original two YouTube Channels, UKF Drum & Bass and UKF Dubstep, in 2009.
In April 2009, UKF Dubstep, a YouTube channel brand was founded by Luke Hood which introduced Dubstep to many young generations internationally at the time. UKF Dubstep has exploded in popularity as the music genre has hit the mainstream. In November 2010 the channel had 100,000 subscribers, and as of November 2019 has over one million. [86] "
UK funky (sometimes known as UKF or funky [1]) is a genre of electronic dance music which originated in England that is heavily influenced by soca, soulful house, tribal house, funky house, UK garage, broken beat and grime. [1]
His first dubstep single of 2019: "Island" with Wooli and Trivecta featuring Nevve, was released on January 4. [ 29 ] [ 30 ] On February 14, 2018, Seven Lions announced on Twitter that he was establishing his own record label , Ophelia , which would be used as a platform to release his music. [ 31 ]
The song was featured in multiple mixes by various disk Jockeys such as Zeds Dead, Jauz, Space Jesus and Liquid Stranger and was featured on various popular dubstep-oriented YouTube channels like UKF Dubstep and The Dub Rebellion, with the song gaining 40,000 plays on SoundCloud in its first weekend of being released. As of February 22, 2019 ...
Mustafa Alobaidi (born 10 November 1994), better known by his stage name Muzz (formerly Muzzy, stylised in all caps), is an English drum and bass producer and DJ. [1] He first gained attention with his release on UKF, "X No Way Out" in 2010 and continues to release music, most predominantly on Monstercat.
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"Extraterrestrial" was well received by most critics, with most complimenting the song's mix of dubstep and trap, sound design, and production.Molly Hankins of Nest HQ praised the song's sound design and production, calling it "refined and tactile" and writing that it is "so metallic and simultaneously gooey that the reverberation has an edge to it throughout", finalising her review by saying ...