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Classified as a history painting, [4] The Storm on the Sea of Galilee is an oil-on-canvas painting and is about 160 x 128 cm in size. It was Rembrandt's earliest painting, completed when he was 29 years old, and it is the largest known historical work that he completed.
A Corpus of Rembrandt Paintings V (The Small-Scale History Paintings). van de Wetering, Ernst (Ed.). Springer. 2010. ISBN 978-1-4020-4607-0. A Corpus of Rembrandt Paintings VI: Rembrandt’s Paintings Revisited – A Complete Survey. Ernst van de Wetering. Springer. 2014. ISBN 978-9-4017-9173-1.
Rembrandt et la figure du Christ/Rembrandt and the face of Jesus, Musée du Louvre, Paris, 21 April 2011 – 18 July 2011, Philadelphia Museum of Art, Philadelphia, 3 August 2011 – 30 October 2011, Detroit Institute of Arts, Detroit, 20 November 2011 – 12 February 2012, ISBN 978-88-89854-71-6, cat.no. 35.
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Rembrandt often used religious scenes and imagery in his paintings. Rembrandt's family was quite wealthy, his father was a miller, and his mother a baker's daughter. Although he later created many biblical works, Rembrandt was not raised in the church. His mother was a Roman Catholic, and father belonged to the Dutch Reformed Church. [3]
The drawing is related to the painting W206 : Study for the Painting of St. John the Baptist Preaching: c. 1633-1634: pen, brown ink and brown wash with white heightenings: 14.5 × 20.4 cm: Musée du Louvre, Paris: The drawing is related to the painting W110 : The Preaching of St. John the Baptist: c. 1633-1634?? Private collection
Rembrandt et la figure du Christ/Rembrandt and the face of Jesus, Musée du Louvre, Paris, 21 April 2011 – 18 July 2011, Philadelphia Museum of Art, Philadelphia, 3 August 2011 – 30 October 2011, Detroit Institute of Arts, Detroit, 20 November 2011 – 12 February 2012, ISBN 978-88-89854-71-6, cat.no. 40.
It is, however, still connected with Rembrandt's workshop and is grouped together with all the other versions. It was included in the 2011 exhibition " Rembrandt and the Face of Jesus " held in the museums of Detroit (DIA), Philadelphia (PMA) and Paris (Louvre) April 21, 2011 – February 12, 2012, no. 46.
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